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In its essence, it is a story about an act of white supremacy that is centered around white voices, white feelings and white heroism. "It is being sold as a feel-good story, a portrayal of heroism in the face of terror. Mohamed Hassan of The NZ Herald also went on to write: "T he film has chosen to focus not on the tragedy and the victims, but instead on the prime minister and the rest of the country and their response. They’re going to say it was a one-off, like with Bridesmaids, but the more things are successful, the harder those excuses become.Related: 13 actors you never knew were in Star Wars movies, from Rose Byrne to Brian Blessed
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The more time you can crack through that wall, the better. Well, here’s all these elements, check all the other boxes and make it undeniable that it works.
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That’s always the excuse you hear from the studios and producers, why they can’t have more movies starring women, because they “don’t work internationally.” But fuck that.
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Also, I wanted to figure out how to do a female-led comedy that could have a chance doing well internationally. We did a tiny bit of that in The Heat, and I wanted to do more. That got me reinterested in doing one, and I thought about how we could do a funny one, where we play it dead serious and keep the stakes and the danger, not making it a spoof. And I thought they got so silly over the years, but Casino Royale was such a revelation because it was so close to how the books were, and the tone. We really need more female directors, though.Īnd what made you want to do a spy movie?įeig: Well, I’m a Bond fanatic. There are too many good people I want to work with.įeig: Exactly. Now there are so many great people, it’s always such a terrible choice to have to whittle it down. There’s going to be a role for Melissa in Ghostbusters - how about Rose?įeig: Well, I want everybody in this thing. Every now and then I’d see Paul look at him, and then come back to me and ask, “So you can jump, right?”
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Remember the stunt guy that didn’t look anything like me? He was really dark and looked like an Austrian Vogue from the ’70s. They really went for it.Ĭannavale: I did all my own stunts. There’s only a couple shots that are stunt actors, but they’re doing 80 or 90 percent of it. It’s very dangerous, but it’s really funny. None of you are safe.įeig: It’s the knife fight that Melissa has with Nargis Fakhri in the kitchen. The minute they interrogate me, I’ll give up all secrets. I would want the Bond look, but my gadget would be an endless expense account. Remember Bond’s car that went in the water?įeig: I would be a very stylish spy. So I’d love to know what kind of spy you’d like to be, and what gadgets you’d need to have to keep the world safe?Ĭannavale: I’d want to be a master of disguise, so I could use my acting skills. I can imagine being on set with you lot is always a good time.Ĭannavale: Well, it’s no 12 Years a Slave. I think you think you’re getting away with it sometimes, because you’re looking down. She has this great face when she starts to break. We were laughing so hard in the editing room just watching Rose. I thought, Oh, dear, how am I going to keep a straight face?įeig: My favorite thing in the world is watching Rose break when she’s working with Melissa. That character on the page was very different what she brought. She’s such a great actress, not only a comedic actress. That was your first encounter with her?īyrne: I loved her in Gilmore Girls. She read for that role and I thought, What the hell is happening? Who is this woman?Īnd you, too, Rose. I had worked with her husband a bunch and weirdly had never run into her. I think of that moment when she first came in for the audition. That’s proven to be quite a fruitful relationship, hasn’t it?įeig: It has. The first time you worked with Melissa was on Bridesmaids. Vulture spoke with Feig, along with co-stars Rose Byrne and Bobby Cannavale, before Spy’s premiere - about the film, Melissa McCarthy making Byrne break character, Cannavale jumping out of a helicopter because his stunt guy looked nothing like him, and Feig’s plan to get a female-led comedy to sell overseas. Right from Spy’s opening credits, the SXSW audience smelled franchise, and indeed, at the post-premiere Q&A for the film, writer-director Paul Feig gave a little nod to the possibility.